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Finding Grace from Andy Sapp on Vimeo.

Where do I even start?

This digital film is the greatest gift I have ever given. This was created to be screened at my Jamie and Grace’s wedding… as a vehicle to help people understand the love between them. In the end, it served as much more. The storyline of the cinematic portion is essentially a metaphor for Jamie and Grace running off together and beginning their journey down the “Highway of Life”. This film created a chance for me to spend more time with them as a couple, and with the wedding party as a whole, to really get a solid understanding just how special their love is. You might even look at this film as my “seal-of-approval” as Jamie’s older brother… a proper send-off as they begin their lives together.

This film is hands-down my greatest work to date. To me, it marks a paradigm-shift in my abilities as an artist. I am no longer just a kid with a skateboard shooting video (although I shot parts of this with a skateboard). I have reached a level with my creative skill-set where I am able to effectively realize my vision… and execute it on a scale like never before. I have never attempted something like the cinematic portion of this film. Quite frankly, I was not aware that I was capable. It is safe to say that all of that has changed. I assumed a plethora of the roles to create this: Producer, director, cinematographer, editor, post-production/visual-effects. I stepped way outside of my comfort-zone, and the results speak for themselves.

This film could not be any more heartfelt. I am immensely proud of it… and my brother.
I am beyond excited that I can finally share this with the world.
I sincerely hope you enjoy it.

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Category: Art & Design,Film

One of the greatest films I’ve had the privilege of viewing in years, Moon exceeded my expectations across the board. In many ways, this movie is a contemporary throwback to 2001, A Space Odessey, which to date, is the single-handed biggest influence on me as an artist. Any preconceived notion I had about this film’s ability to take style cues from such a masterpiece and stand on it’s own were quickly discarded. What I love about Moon is that once this film starts – it does not stop. It just keeps pulling you in, further and further. What starts out as a lonely sci-fi movie… evolves into an oddly empathic, yet sophisticated and schizophrenic thriller.Equally as well-executed/stylized as the movie itself, the movie posters are iconic, simple, and VERY effective. Both posters convey the solitude that Sam Bell (Rockwell) endures. The first poster in particular (far superior to the second) flawlessly illustrates the schizophrenic undertone to the film. Absolutely brilliant. I also like the manually condensed ITC Blair Bold for the main title, over the use of Eurostile Extended in the second poster. Eurostile/Microgramma Extended is an obvious and ubiquitous (yet extremely effective) typeface for the sci-fi genre, but there is something oddly appealing to Blair Bold in this instance.Without peeking before you see this movie… try to guess the computer voice of GERTY. Yet another perfect element in this classic film.

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